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yada yada lorum ipsum

Following precedent for such occasions, neither Stuyvesant nor Nicolls was present for the meeting that then took place, but each had chosen a slate of commissioners to negotiate the transfer of the colony. Stuyvesant's included four Dutchmen, one Englishman, and one Frenchman; Nicolls's representatives were two of his aides and four New Englanders, including John Winthrop.

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Then, as all attention shifted to the waterfront, where Nicolls and his main body of troops was coming ashore, a small party of English soldiers entered the deserted fort. Outside, the harbor winds were swirling around the interested throng of mixed nationalities who watched as an English flag went up the flagpole and listened as Nicolls declared the place renamed for his patron, the Duke of York and Albany. Inside the fort, meanwhile, a few soldiers climbed to the office of the colonial secretary, above the gate. In any Change of government, gaining possession of the records is among the first steps, for to control a society's vital documents is to control its past and fu-ture. The soldiers found what they were looking for: rows of bulky leather-bound volumes, forty-eight in all, numbered consecutively on their spines, A to Z and then AA through PP. Wills, deeds, minutes, correspondence, complaints, petitions, confrontations, agreements- it was all here, meticulously maintained, year by year, day by day, the story of America's first mixed society.

Then, as all attention shifted to the waterfront, where Nicolls and his main body of troops was coming ashore, a small party of English soldiers entered the deserted fort. Outside, the harbor winds were swirling around the interested throng of mixed nationalities who watched as an English flag went up the flagpole and listened as Nicolls declared the place renamed for his patron, the Duke of York and Albany. Inside the fort, meanwhile, a few soldiers climbed to the office of the colonial secretary, above the gate. In any Change of government, gaining possession of the records is among the first steps, for to control a society's vital documents is to control its past and fu-ture. The soldiers found what they were looking for: rows of bulky leather-bound volumes, forty-eight in all, numbered consecutively on their spines, A to Z and then AA through PP. Wills, deeds, minutes, correspondence, complaints, petitions, confrontations, agreements- it was all here, meticulously maintained, year by year, day by day, the story of America's first mixed society.

Then, as all attention shifted to the waterfront, where Nicolls and his main body of troops was coming ashore, a small party of English soldiers entered the deserted fort. Outside, the harbor winds were swirling around the interested throng of mixed nationalities who watched as an English flag went up the flagpole and listened as Nicolls declared the place renamed for his patron, the Duke of York and Albany. Inside the fort, meanwhile, a few soldiers climbed to the office of the colonial secretary, above the gate. In any Change of government, gaining possession of the records is among the first steps, for to control a society's vital documents is to control its past and fu-ture. The soldiers found what they were looking for: rows of bulky leather-bound volumes, forty-eight in all, numbered consecutively on their spines, A to Z and then AA through PP. Wills, deeds, minutes, correspondence, complaints, petitions, confrontations, agreements- it was all here, meticulously maintained, year by year, day by day, the story of America's first mixed society.

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And so they did. The fifteen hundred residents of New Amsterdam, the ten thousand inhabitants of the colony of New Netherland, turned their backs on the company that had long ignored them. Griet Reyniers, onetime Amsterdam barmaid who became Manhattan's first prostitute, abandoned it. So did her husband, Anthony "the Turk" van Salee, the half-Morroccan former pirate. They were now wealthy landowners on Long Island, and their four daughters were married to some of New Amsterdam's up-and-coming businessmen. Joris Rapalje, who with his bride Catalina Trico com-pised the Adam and Eve of the colony had reemdy died, but Catalina ma shitery nuch alive as werehergrown dild ren and ten families and g so, preferred to acquiesce rather than die. The same went for Aser lon, the Polish, Jew who had batled Suvesant over the rights of Jews, and noy, owned Manhattan's first kosher butcher shop, and for Manuel "the Giane Gerrit, the African who had escaped hanging in 1641 and who for the par five years had been living as a free landowner on a small farm near Stuyvesant's bouverie. For all of these people, living peaceably under an English prince who promised to continue the way of life they had fashioned was patently better than fighting and dying.

And so he relented. "I would much rather be carried out dead," he said, and surely everyone believed him, but instead he named six men to meet with their English counterparts and negotiate terms. They met at Stuyvesant's farm. And the next Monday, at eight in the morning, Stuyvesant, fifty-four-years-old, thick of build, with his cuirass and his limp and his small, bold eyes, led a military procession out of the fort, with drummers drumming and flags waving.

And so they did. The fifteen hundred residents of New Amsterdam, the ten thousand inhabitants of the colony of New Netherland, turned their backs on the company that had long ignored them. Griet Reyniers, onetime Amsterdam barmaid who became Manhattan's first prostitute, abandoned it. So did her husband, Anthony "the Turk" van Salee, the half-Morroccan former pirate. They were now wealthy landowners on Long Island, and their four daughters were married to some of New Amsterdam's up-and-coming businessmen. Joris Rapalje, who with his bride Catalina Trico com-pised the Adam and Eve of the colony had reemdy died, but Catalina ma shitery nuch alive as werehergrown dild ren and ten families and g so, preferred to acquiesce rather than die. The same went for Aser lon, the Polish, Jew who had batled Suvesant over the rights of Jews, and noy, owned Manhattan's first kosher butcher shop, and for Manuel "the Giane Gerrit, the African who had escaped hanging in 1641 and who for the par five years had been living as a free landowner on a small farm near Stuyvesant's bouverie. For all of these people, living peaceably under an English prince who promised to continue the way of life they had fashioned was patently better than fighting and dying.

And so he relented. "I would much rather be carried out dead," he said, and surely everyone believed him, but instead he named six men to meet with their English counterparts and negotiate terms. They met at Stuyvesant's farm. And the next Monday, at eight in the morning, Stuyvesant, fifty-four-years-old, thick of build, with his cuirass and his limp and his small, bold eyes, led a military procession out of the fort, with drummers drumming and flags waving.

And so they did. The fifteen hundred residents of New Amsterdam, the ten thousand inhabitants of the colony of New Netherland, turned their backs on the company that had long ignored them. Griet Reyniers, onetime Amsterdam barmaid who became Manhattan's first prostitute, abandoned it. So did her husband, Anthony "the Turk" van Salee, the half-Morroccan former pirate. They were now wealthy landowners on Long Island, and their four daughters were married to some of New Amsterdam's up-and-coming businessmen. Joris Rapalje, who with his bride Catalina Trico com-pised the Adam and Eve of the colony had reemdy died, but Catalina ma shitery nuch alive as werehergrown dild ren and ten families and g so, preferred to acquiesce rather than die. The same went for Aser lon, the Polish, Jew who had batled Suvesant over the rights of Jews, and noy, owned Manhattan's first kosher butcher shop, and for Manuel "the Giane Gerrit, the African who had escaped hanging in 1641 and who for the par five years had been living as a free landowner on a small farm near Stuyvesant's bouverie. For all of these people, living peaceably under an English prince who promised to continue the way of life they had fashioned was patently better than fighting and dying.

And so he relented. "I would much rather be carried out dead," he said, and surely everyone believed him, but instead he named six men to meet with their English counterparts and negotiate terms. They met at Stuyvesant's farm. And the next Monday, at eight in the morning, Stuyvesant, fifty-four-years-old, thick of build, with his cuirass and his limp and his small, bold eyes, led a military procession out of the fort, with drummers drumming and flags waving.

And so they did. The fifteen hundred residents of New Amsterdam, the ten thousand inhabitants of the colony of New Netherland, turned their backs on the company that had long ignored them. Griet Reyniers, onetime Amsterdam barmaid who became Manhattan's first prostitute, abandoned it. So did her husband, Anthony "the Turk" van Salee, the half-Morroccan former pirate. They were now wealthy landowners on Long Island, and their four daughters were married to some of New Amsterdam's up-and-coming businessmen. Joris Rapalje, who with his bride Catalina Trico com-pised the Adam and Eve of the colony had reemdy died, but Catalina ma shitery nuch alive as werehergrown dild ren and ten families and g so, preferred to acquiesce rather than die. The same went for Aser lon, the Polish, Jew who had batled Suvesant over the rights of Jews, and noy, owned Manhattan's first kosher butcher shop, and for Manuel "the Giane Gerrit, the African who had escaped hanging in 1641 and who for the par five years had been living as a free landowner on a small farm near Stuyvesant's bouverie. For all of these people, living peaceably under an English prince who promised to continue the way of life they had fashioned was patently better than fighting and dying.

And so he relented. "I would much rather be carried out dead," he said, and surely everyone believed him, but instead he named six men to meet with their English counterparts and negotiate terms. They met at Stuyvesant's farm. And the next Monday, at eight in the morning, Stuyvesant, fifty-four-years-old, thick of build, with his cuirass and his limp and his small, bold eyes, led a military procession out of the fort, with drummers drumming and flags waving.

And so they did. The fifteen hundred residents of New Amsterdam, the ten thousand inhabitants of the colony of New Netherland, turned their backs on the company that had long ignored them. Griet Reyniers, onetime Amsterdam barmaid who became Manhattan's first prostitute, abandoned it. So did her husband, Anthony "the Turk" van Salee, the half-Morroccan former pirate. They were now wealthy landowners on Long Island, and their four daughters were married to some of New Amsterdam's up-and-coming businessmen. Joris Rapalje, who with his bride Catalina Trico com-pised the Adam and Eve of the colony had reemdy died, but Catalina ma shitery nuch alive as werehergrown dild ren and ten families and g so, preferred to acquiesce rather than die. The same went for Aser lon, the Polish, Jew who had batled Suvesant over the rights of Jews, and noy, owned Manhattan's first kosher butcher shop, and for Manuel "the Giane Gerrit, the African who had escaped hanging in 1641 and who for the par five years had been living as a free landowner on a small farm near Stuyvesant's bouverie. For all of these people, living peaceably under an English prince who promised to continue the way of life they had fashioned was patently better than fighting and dying.

And so he relented. "I would much rather be carried out dead," he said, and surely everyone believed him, but instead he named six men to meet with their English counterparts and negotiate terms. They met at Stuyvesant's farm. And the next Monday, at eight in the morning, Stuyvesant, fifty-four-years-old, thick of build, with his cuirass and his limp and his small, bold eyes, led a military procession out of the fort, with drummers drumming and flags waving.

kenneth geurts

yada yada lorum ipsum

Following precedent for such occasions, neither Stuyvesant nor Nicolls was present for the meeting that then took place, but each had chosen a slate of commissioners to negotiate the transfer of the colony. Stuyvesant's included four Dutchmen, one Englishman, and one Frenchman; Nicolls's representatives were two of his aides and four New Englanders, including John Winthrop.

kenneth geurts
kenneth geurts
kenneth geurts

Then, as all attention shifted to the waterfront, where Nicolls and his main body of troops was coming ashore, a small party of English soldiers entered the deserted fort. Outside, the harbor winds were swirling around the interested throng of mixed nationalities who watched as an English flag went up the flagpole and listened as Nicolls declared the place renamed for his patron, the Duke of York and Albany. Inside the fort, meanwhile, a few soldiers climbed to the office of the colonial secretary, above the gate. In any Change of government, gaining possession of the records is among the first steps, for to control a society's vital documents is to control its past and fu-ture. The soldiers found what they were looking for: rows of bulky leather-bound volumes, forty-eight in all, numbered consecutively on their spines, A to Z and then AA through PP. Wills, deeds, minutes, correspondence, complaints, petitions, confrontations, agreements- it was all here, meticulously maintained, year by year, day by day, the story of America's first mixed society.

Then, as all attention shifted to the waterfront, where Nicolls and his main body of troops was coming ashore, a small party of English soldiers entered the deserted fort. Outside, the harbor winds were swirling around the interested throng of mixed nationalities who watched as an English flag went up the flagpole and listened as Nicolls declared the place renamed for his patron, the Duke of York and Albany. Inside the fort, meanwhile, a few soldiers climbed to the office of the colonial secretary, above the gate. In any Change of government, gaining possession of the records is among the first steps, for to control a society's vital documents is to control its past and fu-ture. The soldiers found what they were looking for: rows of bulky leather-bound volumes, forty-eight in all, numbered consecutively on their spines, A to Z and then AA through PP. Wills, deeds, minutes, correspondence, complaints, petitions, confrontations, agreements- it was all here, meticulously maintained, year by year, day by day, the story of America's first mixed society.

Then, as all attention shifted to the waterfront, where Nicolls and his main body of troops was coming ashore, a small party of English soldiers entered the deserted fort. Outside, the harbor winds were swirling around the interested throng of mixed nationalities who watched as an English flag went up the flagpole and listened as Nicolls declared the place renamed for his patron, the Duke of York and Albany. Inside the fort, meanwhile, a few soldiers climbed to the office of the colonial secretary, above the gate. In any Change of government, gaining possession of the records is among the first steps, for to control a society's vital documents is to control its past and fu-ture. The soldiers found what they were looking for: rows of bulky leather-bound volumes, forty-eight in all, numbered consecutively on their spines, A to Z and then AA through PP. Wills, deeds, minutes, correspondence, complaints, petitions, confrontations, agreements- it was all here, meticulously maintained, year by year, day by day, the story of America's first mixed society.

kenneth geurts
kenneth geurts
kenneth geurts
kenneth geurts

And so they did. The fifteen hundred residents of New Amsterdam, the ten thousand inhabitants of the colony of New Netherland, turned their backs on the company that had long ignored them. Griet Reyniers, onetime Amsterdam barmaid who became Manhattan's first prostitute, abandoned it. So did her husband, Anthony "the Turk" van Salee, the half-Morroccan former pirate. They were now wealthy landowners on Long Island, and their four daughters were married to some of New Amsterdam's up-and-coming businessmen. Joris Rapalje, who with his bride Catalina Trico com-pised the Adam and Eve of the colony had reemdy died, but Catalina ma shitery nuch alive as werehergrown dild ren and ten families and g so, preferred to acquiesce rather than die. The same went for Aser lon, the Polish, Jew who had batled Suvesant over the rights of Jews, and noy, owned Manhattan's first kosher butcher shop, and for Manuel "the Giane Gerrit, the African who had escaped hanging in 1641 and who for the par five years had been living as a free landowner on a small farm near Stuyvesant's bouverie. For all of these people, living peaceably under an English prince who promised to continue the way of life they had fashioned was patently better than fighting and dying.

And so he relented. "I would much rather be carried out dead," he said, and surely everyone believed him, but instead he named six men to meet with their English counterparts and negotiate terms. They met at Stuyvesant's farm. And the next Monday, at eight in the morning, Stuyvesant, fifty-four-years-old, thick of build, with his cuirass and his limp and his small, bold eyes, led a military procession out of the fort, with drummers drumming and flags waving.

And so they did. The fifteen hundred residents of New Amsterdam, the ten thousand inhabitants of the colony of New Netherland, turned their backs on the company that had long ignored them. Griet Reyniers, onetime Amsterdam barmaid who became Manhattan's first prostitute, abandoned it. So did her husband, Anthony "the Turk" van Salee, the half-Morroccan former pirate. They were now wealthy landowners on Long Island, and their four daughters were married to some of New Amsterdam's up-and-coming businessmen. Joris Rapalje, who with his bride Catalina Trico com-pised the Adam and Eve of the colony had reemdy died, but Catalina ma shitery nuch alive as werehergrown dild ren and ten families and g so, preferred to acquiesce rather than die. The same went for Aser lon, the Polish, Jew who had batled Suvesant over the rights of Jews, and noy, owned Manhattan's first kosher butcher shop, and for Manuel "the Giane Gerrit, the African who had escaped hanging in 1641 and who for the par five years had been living as a free landowner on a small farm near Stuyvesant's bouverie. For all of these people, living peaceably under an English prince who promised to continue the way of life they had fashioned was patently better than fighting and dying.

And so he relented. "I would much rather be carried out dead," he said, and surely everyone believed him, but instead he named six men to meet with their English counterparts and negotiate terms. They met at Stuyvesant's farm. And the next Monday, at eight in the morning, Stuyvesant, fifty-four-years-old, thick of build, with his cuirass and his limp and his small, bold eyes, led a military procession out of the fort, with drummers drumming and flags waving.

And so they did. The fifteen hundred residents of New Amsterdam, the ten thousand inhabitants of the colony of New Netherland, turned their backs on the company that had long ignored them. Griet Reyniers, onetime Amsterdam barmaid who became Manhattan's first prostitute, abandoned it. So did her husband, Anthony "the Turk" van Salee, the half-Morroccan former pirate. They were now wealthy landowners on Long Island, and their four daughters were married to some of New Amsterdam's up-and-coming businessmen. Joris Rapalje, who with his bride Catalina Trico com-pised the Adam and Eve of the colony had reemdy died, but Catalina ma shitery nuch alive as werehergrown dild ren and ten families and g so, preferred to acquiesce rather than die. The same went for Aser lon, the Polish, Jew who had batled Suvesant over the rights of Jews, and noy, owned Manhattan's first kosher butcher shop, and for Manuel "the Giane Gerrit, the African who had escaped hanging in 1641 and who for the par five years had been living as a free landowner on a small farm near Stuyvesant's bouverie. For all of these people, living peaceably under an English prince who promised to continue the way of life they had fashioned was patently better than fighting and dying.

And so he relented. "I would much rather be carried out dead," he said, and surely everyone believed him, but instead he named six men to meet with their English counterparts and negotiate terms. They met at Stuyvesant's farm. And the next Monday, at eight in the morning, Stuyvesant, fifty-four-years-old, thick of build, with his cuirass and his limp and his small, bold eyes, led a military procession out of the fort, with drummers drumming and flags waving.

And so they did. The fifteen hundred residents of New Amsterdam, the ten thousand inhabitants of the colony of New Netherland, turned their backs on the company that had long ignored them. Griet Reyniers, onetime Amsterdam barmaid who became Manhattan's first prostitute, abandoned it. So did her husband, Anthony "the Turk" van Salee, the half-Morroccan former pirate. They were now wealthy landowners on Long Island, and their four daughters were married to some of New Amsterdam's up-and-coming businessmen. Joris Rapalje, who with his bride Catalina Trico com-pised the Adam and Eve of the colony had reemdy died, but Catalina ma shitery nuch alive as werehergrown dild ren and ten families and g so, preferred to acquiesce rather than die. The same went for Aser lon, the Polish, Jew who had batled Suvesant over the rights of Jews, and noy, owned Manhattan's first kosher butcher shop, and for Manuel "the Giane Gerrit, the African who had escaped hanging in 1641 and who for the par five years had been living as a free landowner on a small farm near Stuyvesant's bouverie. For all of these people, living peaceably under an English prince who promised to continue the way of life they had fashioned was patently better than fighting and dying.

And so he relented. "I would much rather be carried out dead," he said, and surely everyone believed him, but instead he named six men to meet with their English counterparts and negotiate terms. They met at Stuyvesant's farm. And the next Monday, at eight in the morning, Stuyvesant, fifty-four-years-old, thick of build, with his cuirass and his limp and his small, bold eyes, led a military procession out of the fort, with drummers drumming and flags waving.

And so they did. The fifteen hundred residents of New Amsterdam, the ten thousand inhabitants of the colony of New Netherland, turned their backs on the company that had long ignored them. Griet Reyniers, onetime Amsterdam barmaid who became Manhattan's first prostitute, abandoned it. So did her husband, Anthony "the Turk" van Salee, the half-Morroccan former pirate. They were now wealthy landowners on Long Island, and their four daughters were married to some of New Amsterdam's up-and-coming businessmen. Joris Rapalje, who with his bride Catalina Trico com-pised the Adam and Eve of the colony had reemdy died, but Catalina ma shitery nuch alive as werehergrown dild ren and ten families and g so, preferred to acquiesce rather than die. The same went for Aser lon, the Polish, Jew who had batled Suvesant over the rights of Jews, and noy, owned Manhattan's first kosher butcher shop, and for Manuel "the Giane Gerrit, the African who had escaped hanging in 1641 and who for the par five years had been living as a free landowner on a small farm near Stuyvesant's bouverie. For all of these people, living peaceably under an English prince who promised to continue the way of life they had fashioned was patently better than fighting and dying.

And so he relented. "I would much rather be carried out dead," he said, and surely everyone believed him, but instead he named six men to meet with their English counterparts and negotiate terms. They met at Stuyvesant's farm. And the next Monday, at eight in the morning, Stuyvesant, fifty-four-years-old, thick of build, with his cuirass and his limp and his small, bold eyes, led a military procession out of the fort, with drummers drumming and flags waving.

kenneth geurts (1996) is an artist that works through the media of analog film and graphic design. He specializes in 16mm film, publication design and title design. Currently he is based between Amsterdam and New York City.

Instagram: @Ikkenneth, Email: kennethqgeurts@gmail.com

 

professional experience 
2024 - current Assistant. Mono No Aware
2023 - current Production. IDFA
2022 - current Graphic Designer. Simulacrum Magazine
2020 - 2022 Editor & Treasurer. Simulacrum Magazine
2020 - 2022 Head of Graphic Design. Filmtheater Kriterion
2019 - 2020 General employee. Mediamatic
2018 - 2022 Graphic Designer. Filmtheater Kriterion
2018 - 2020 Head of Special Programming. Filmtheater Kriterion
2018 - 2020 Head Assistant. Serieuze Zaken by Rob Malasch
2016 - 2018 Programme Curator &  Treasurer. Kanvas


education 
2020 - 2023 rMA Artistic Research. University of Amsterdam
2015 - 2018 BA Art History. University of Amsterdam
2014 - 2015 Propedeuse Media Studies. University of Amsterdam


work has been supported by:
DutchCulture, Netherland-American Foundation, Cultuurfonds, Het Nederlandse Filmfonds, Hendrik Muller fonds, de Fundatie van Renswoude, het Horizonfonds, het Bekker-la Bastide Fonds, ASC Academy, Amsterdamse Universiteitsfonds


(selected) research projects, exhibtions, events, etc. 
January 2025 Artist. Filmmakers’ Night – Episode #0, Filmhuis Cavia, Amsterdam, NL

November 2024 Artist, Speaker. Museumnacht, Museum Willet-Holthuysen, Amsterdam, NL

October 2024 Visual Researcher, Designer. Filmfonds application for Ena Sendijarević's 'The Possessed'

July 2024 Artist. Mono No Aware selections screening. Anthology Film Archives, New York City, US

June 2024 Artist, Speaker. Radical Film Network, La Corrala, Universidad Autónoma de Madrid, Madrid, ES

June 2024 Artist. Nieuwe Nieuwsmarkt #1 Launch. San Serriffe. Amsterdam, NL

May 2024 Artist, Speaker. Eye International Conference, Eye Filmmuseum, Amsterdam, NL

May 2024 Artist. [In]Transitation Journal, Online.

May 2024 Producer for Molly Scotti's short film 'A Tavola' (executive produced by Isabella Rossellini).

February 2024 Artist. Can't We All Just Get Along. Stevenson Gallery, Amsterdam, NL

 

November 2023 Artist. Porto Post Doc. Porto, Portugal

September 2023 Artist. Casa do Xisto Residency. Porto, Portugal

June 2023 Artist. Mono No Aware Selections Screening. MoMa. New York, US

June 2023 Artist. A seat for A table, A sun for the sky exhibition. de Appel. Amsterdam, NL

May 2023 Artist. Mono No Aware Selections screening. Anthology Film Archives. New York, US

May 2023 Curator. Blossom/Bloesom exhibition (group). Roehouse. New York, US

December 2022 Curator. Fertile Grounds exhibition (group). Roehouse. New York, US

December 2022 Speaker. Transoceanic Memories: Disaster Haggyo presentation. Framer Framed. Amsterdam, NL

November 2022 - February 2023 Artist. Art of the Football Scarf (group). OOF Gallery. London, UK

October 2022 Speaker. The documenta issue launch event. Motto Books, Berlin. Germany

August 2022 Artist, Researcher. Disaster Haggyo #1. Framer Framed & KAIST, Daejeon, Jeju. South Korea

July 2022 Curator. Simulacrum het Reflectienummer Launch. BG2 + Filmtheater de Uitkijk, Amsterdam. NL

June 2022 Artist, Researcher. Swarmcast (collaboration). Machinic Cultures Symposium, Leiden. NL + digital

April 2022 Curator. Simulacrum Dirt Launch. Botanische Tuin Zuidas + Filmtheater de Uitkijk, Amsterdam. NL

February 2022 Artist. Untitled Group Exhibition. Oude Lutherse Kerk, Amsterdam. NL

 

July 2021 Curator. Simulacrum Still(ness)/Stil(te) Launch. Filmtheater de Uitkijk, Amsterdam. NL

June 2021 Curator, Production. Simulacrum Still(ness)/Stil(te) Symposium. BAK, Utrecht, NL + Digital

May 2021 Artist. Untitled Group Exhibition. Vox Pop, Amsterdam. NL

March 2021 Curator, Production. Simulacrum Myths Poster Exhibition. Public Space, Amsterdam, NL

 

December 2020 Production. Simulacrum Levenswerk Launch. Perdu, Amsterdam. NL

November 2020 - November 2021 Film Curator, Production. 75 Jaar Kriterion. Filmtheater Kriterion, Amsterdam, NL

March 2020 Film Curator. Film & Poetry. Filmtheater Kriterion, Amsterdam, NL

February 2020 Film Curator. Simulacrum Fetish Nights. Filmtheater Kriterion, Amsterdam, NL

February 2020 Curator. Simulacrum Fetish Exhibition. Filmtheater Kriterion, Amsterdam, NL

January 2020 Film Curator. Experimental Blue Shorts. Filmtheater Kriterion, Amsterdam, NL

 

December 2019 Film Curator, Production. Europa Cinemas Night. Filmtheater Kriterion, Amsterdam, NL

November 2019 Production. IDFA Film Festival. Filmtheater Kriterion, Amsterdam, NL

November 2019 Curator. IDFA: Reflect on Reality Exhibition. Filmtheater Kriterion, Amsterdam, NL

October 2019 Production. Camera Japan Film Festival. Filmtheater Kriterion, Amsterdam, NL

October 2019 Curator. Nyre Tiessen Camera Japan Exhibition. Filmtheater Kriterion, Amsterdam, NL

October 2019 Production. Amsterdamned Film Festival. Filmtheater Kriterion, Amsterdam, NL

September 2019 Film Curator, Production. 16feMMe. Filmtheater Kriterion, Amsterdam, NL

September 2019 Film Curator, Production. Ramallah Film Night. Filmtheater Kriterion, Amsterdam, NL

August 2019 Film Curator. Adam’s Appel. Sexyland, Amsterdam, NL

July 2019 Researcher. Kriterion Ramallah Project. Ramallah, Palestine

June 2019 Production. Transcreen Film Festival. Filmtheater Kriterion, Amsterdam, NL

June 2019 Production. Transcreen Exhibition. Filmtheater Kriterion, Amsterdam, NL

June 2019 Film Curator. Fashion in Film. Filmtheater Kriterion, Amsterdam, NL

April 2019 Film Curator. Rethinking Economics. Filmtheater Kriterion, Amsterdam, NL

February 2019 - March 2019 Production. Cinemasia Film Festival. Filmtheater Kriterion, Amsterdam, NL

February 2019 - March 2019 Film Curator. Enjoy Poverty. Filmtheater Kriterion, Amsterdam, NL

February 2019 Production. Square 1 – Louishothothot Exhibition. Filmtheater Kriterion, Amsterdam, NL

January 2019 Film Curator, Production. Sarajevo Film Night. Filmtheater Kriterion,,Amsterdam, NL

 

November 2018 - May 2019 Film Curator, Production. Propaganda. Filmtheater Kriterion, Amsterdam, NL

October 2018 Production. Camera Japan Film Festival. Filmtheater Kriterion, Amsterdam, NL

October 2018 Production. Amsterdamned Film Festival. Filmtheater Kriterion, Amsterdam, NL

October 2018 Production. Big Art Serieuze Zaken Exhibition. Big Art Amsterdam, Amsterdam, NL

October 2018 Production. Kunstrai Serieuze Zaken/WOW Exhibition. Kunstrai Amsterdam, Amsterdam, NL

July 2018 Curator, Production. Boye x Das Cabinet des Dr. Caligari. Sexyland, Amsterdam, NL

March 2018 - September 2018 Film Curator. Erfenissen ‘68. Filmtheater Kriterion, Amsterdam, NL

February 2018 Film Curator. Visual Art in Film. Filmtheater Kriterion, Amsterdam, NL

February 2018 Curator, Production. Visual Art in Film Exhibition. Filmtheater Kriterion, Amsterdam, NL

 

April 2017 Artist. Travel Diary Exhibition (solo). Studio /k, Amsterdam, NL

March 2017 Artist. Ontgrendel de Nacht (group). Frascati, Amsterdam, NL

 

kenneth geurts (1996) is an artist that works through the media of analog film and graphic design. He specializes in 16mm film, publication design and title design. Currently he is based between Amsterdam and New York City.

Instagram: @Ikkenneth, Email: kennethqgeurts@gmail.com

 

professional experience 
2024 - current Assistant. Mono No Aware
2023 - current Production. IDFA
2022 - current Graphic Designer. Simulacrum Magazine
2020 - 2022 Editor & Treasurer. Simulacrum Magazine
2020 - 2022 Head of Graphic Design. Filmtheater Kriterion
2019 - 2020 General employee. Mediamatic
2018 - 2022 Graphic Designer. Filmtheater Kriterion
2018 - 2020 Head of Special Programming. Filmtheater Kriterion
2018 - 2020 Head Assistant. Serieuze Zaken by Rob Malasch
2016 - 2018 Programme Curator &  Treasurer. Kanvas


education 
2020 - 2023 rMA Artistic Research. University of Amsterdam
2015 - 2018 BA Art History. University of Amsterdam
2014 - 2015 Propedeuse Media Studies. University of Amsterdam


work has been supported by:
DutchCulture, Netherland-American Foundation, Cultuurfonds, Het Nederlandse Filmfonds, Hendrik Muller fonds, de Fundatie van Renswoude, het Horizonfonds, het Bekker-la Bastide Fonds, ASC Academy, Amsterdamse Universiteitsfonds


(selected) research projects, exhibtions, events, etc. 
January 2025 Artist. Filmmakers’ Night – Episode #0, Filmhuis Cavia, Amsterdam, NL

November 2024 Artist, Speaker. Museumnacht, Museum Willet-Holthuysen, Amsterdam, NL

October 2024 Visual Researcher, Designer. Filmfonds application for Ena Sendijarević's 'The Possessed'

July 2024 Artist. Mono No Aware selections screening. Anthology Film Archives, New York City, US

June 2024 Artist, Speaker. Radical Film Network, La Corrala, Universidad Autónoma de Madrid, Madrid, ES

June 2024 Artist. Nieuwe Nieuwsmarkt #1 Launch. San Serriffe. Amsterdam, NL

May 2024 Artist, Speaker. Eye International Conference, Eye Filmmuseum, Amsterdam, NL

May 2024 Artist. [In]Transitation Journal, Online.

May 2024 Producer for Molly Scotti's short film 'A Tavola' (executive produced by Isabella Rossellini).

February 2024 Artist. Can't We All Just Get Along. Stevenson Gallery, Amsterdam, NL

 

November 2023 Artist. Porto Post Doc. Porto, Portugal

September 2023 Artist. Casa do Xisto Residency. Porto, Portugal

June 2023 Artist. Mono No Aware Selections Screening. MoMa. New York, US

June 2023 Artist. A seat for A table, A sun for the sky exhibition. de Appel. Amsterdam, NL

May 2023 Artist. Mono No Aware Selections screening. Anthology Film Archives. New York, US

May 2023 Curator. Blossom/Bloesom exhibition (group). Roehouse. New York, US

December 2022 Curator. Fertile Grounds exhibition (group). Roehouse. New York, US

December 2022 Speaker. Transoceanic Memories: Disaster Haggyo presentation. Framer Framed. Amsterdam, NL

November 2022 - February 2023 Artist. Art of the Football Scarf (group). OOF Gallery. London, UK

October 2022 Speaker. The documenta issue launch event. Motto Books, Berlin. Germany

August 2022 Artist, Researcher. Disaster Haggyo #1. Framer Framed & KAIST, Daejeon, Jeju. South Korea

July 2022 Curator. Simulacrum het Reflectienummer Launch. BG2 + Filmtheater de Uitkijk, Amsterdam. NL

June 2022 Artist, Researcher. Swarmcast (collaboration). Machinic Cultures Symposium, Leiden. NL + digital

April 2022 Curator. Simulacrum Dirt Launch. Botanische Tuin Zuidas + Filmtheater de Uitkijk, Amsterdam. NL

February 2022 Artist. Untitled Group Exhibition. Oude Lutherse Kerk, Amsterdam. NL

 

July 2021 Curator. Simulacrum Still(ness)/Stil(te) Launch. Filmtheater de Uitkijk, Amsterdam. NL

June 2021 Curator, Production. Simulacrum Still(ness)/Stil(te) Symposium. BAK, Utrecht, NL + Digital

May 2021 Artist. Untitled Group Exhibition. Vox Pop, Amsterdam. NL

March 2021 Curator, Production. Simulacrum Myths Poster Exhibition. Public Space, Amsterdam, NL

 

December 2020 Production. Simulacrum Levenswerk Launch. Perdu, Amsterdam. NL

November 2020 - November 2021 Film Curator, Production. 75 Jaar Kriterion. Filmtheater Kriterion, Amsterdam, NL

March 2020 Film Curator. Film & Poetry. Filmtheater Kriterion, Amsterdam, NL

February 2020 Film Curator. Simulacrum Fetish Nights. Filmtheater Kriterion, Amsterdam, NL

February 2020 Curator. Simulacrum Fetish Exhibition. Filmtheater Kriterion, Amsterdam, NL

January 2020 Film Curator. Experimental Blue Shorts. Filmtheater Kriterion, Amsterdam, NL

 

December 2019 Film Curator, Production. Europa Cinemas Night. Filmtheater Kriterion, Amsterdam, NL

November 2019 Production. IDFA Film Festival. Filmtheater Kriterion, Amsterdam, NL

November 2019 Curator. IDFA: Reflect on Reality Exhibition. Filmtheater Kriterion, Amsterdam, NL

October 2019 Production. Camera Japan Film Festival. Filmtheater Kriterion, Amsterdam, NL

October 2019 Curator. Nyre Tiessen Camera Japan Exhibition. Filmtheater Kriterion, Amsterdam, NL

October 2019 Production. Amsterdamned Film Festival. Filmtheater Kriterion, Amsterdam, NL

September 2019 Film Curator, Production. 16feMMe. Filmtheater Kriterion, Amsterdam, NL

September 2019 Film Curator, Production. Ramallah Film Night. Filmtheater Kriterion, Amsterdam, NL

August 2019 Film Curator. Adam’s Appel. Sexyland, Amsterdam, NL

July 2019 Researcher. Kriterion Ramallah Project. Ramallah, Palestine

June 2019 Production. Transcreen Film Festival. Filmtheater Kriterion, Amsterdam, NL

June 2019 Production. Transcreen Exhibition. Filmtheater Kriterion, Amsterdam, NL

June 2019 Film Curator. Fashion in Film. Filmtheater Kriterion, Amsterdam, NL

April 2019 Film Curator. Rethinking Economics. Filmtheater Kriterion, Amsterdam, NL

February 2019 - March 2019 Production. Cinemasia Film Festival. Filmtheater Kriterion, Amsterdam, NL

February 2019 - March 2019 Film Curator. Enjoy Poverty. Filmtheater Kriterion, Amsterdam, NL

February 2019 Production. Square 1 – Louishothothot Exhibition. Filmtheater Kriterion, Amsterdam, NL

January 2019 Film Curator, Production. Sarajevo Film Night. Filmtheater Kriterion,,Amsterdam, NL

 

November 2018 - May 2019 Film Curator, Production. Propaganda. Filmtheater Kriterion, Amsterdam, NL

October 2018 Production. Camera Japan Film Festival. Filmtheater Kriterion, Amsterdam, NL

October 2018 Production. Amsterdamned Film Festival. Filmtheater Kriterion, Amsterdam, NL

October 2018 Production. Big Art Serieuze Zaken Exhibition. Big Art Amsterdam, Amsterdam, NL

October 2018 Production. Kunstrai Serieuze Zaken/WOW Exhibition. Kunstrai Amsterdam, Amsterdam, NL

July 2018 Curator, Production. Boye x Das Cabinet des Dr. Caligari. Sexyland, Amsterdam, NL

March 2018 - September 2018 Film Curator. Erfenissen ‘68. Filmtheater Kriterion, Amsterdam, NL

February 2018 Film Curator. Visual Art in Film. Filmtheater Kriterion, Amsterdam, NL

February 2018 Curator, Production. Visual Art in Film Exhibition. Filmtheater Kriterion, Amsterdam, NL

 

April 2017 Artist. Travel Diary Exhibition (solo). Studio /k, Amsterdam, NL

March 2017 Artist. Ontgrendel de Nacht (group). Frascati, Amsterdam, NL